Hubris.co.nz

You guys like role-playing right? Okay, so let’s pretend for a minute that you’re Jonathan Davis of Korn fame. You’ve dealt with my urge to call you Jonathan Brandis, and you weren’t on Seaquest and you didn’t kill yourself. You wrote some tunes that some people stood around in a circle in a lounge in Johnsonville when the parents were away pretending to headbang to, and you wrote the soundtrack for a dreadful movie that Stuart Townshead wore leather pants in and looking very fucking hot and so much better than Tom Cruise in. So, your guitarist quits, and goes off to write a tell-all book, and become a born-again Christian. Do you use your down-time to help puppies and also to train your bassist to wear his bass up around his middle not his knees, or do you learn to play the bagpipes?

Yeah, exactly.

So I wrote a journal entry last night, as you have no doubt read. Since that time I had a nice sleep, I drank some coke, I watched some episodes of America’s Next Top Model (I am totally on Team Isis and love Faux-Kimora for her open mind. And there’s just been the Irene Cara ‘Fame’ song on TV and I’ve realised that pretty much the entire cast is Isis, not least because of their bad hair). Then I got my shit together and put on my old red dress and went into town and Cafe Istanbul for Megan‘s redrunkening.  Her friends were mostly couples but I won’t hold that against her, and also I was amused to see the girl I used to work for at Ausm/Debate and we had a quick bitch session. I couldn’t believe how busy Istanbul was, and we managed to try to leave at the same time as another big table of cute lesbians so it took forever to do the bill and pay.

Then we went to the Taste of Korea to do karaoke. As is my way, I grabbed a mike and opened things with ‘Wanted Dead or Alive’ as I always rock the fuck out of that on Rockband. Our Soju “cocktails” were neither strong nor actually cranberry flavoured (raspberry miranda is NOT cranberry) but people warmed up eventually and we all sang some more. I ended up getting another hour, and because I didn’t know the people I didn’t ask for any money, which possibly was not the best financial decision ever, but Megan got the first hour, so whatever. Anyways, so mostly I sang power ballads. I sang “Sweet Child’O Mine” because I now take any chance to exercise old demons. And then I sang ‘Careless Whisper’ but I am too used to the Gossip version, and also having the lyrics up on the screen was like a punch in the face. As these things go. But anyways, I fucking adore karaoke like so much. I could sing all night.

Except that we only had two hours and we finished on “We are the world” and most people went home, so I went up to Atomic to find Karen. I couldn’t spot her on the dancefloor initially, but I did spot Smoo and Blair out on the balconey so I hung out with them for ages,  before I went and had a sweaty dance (I was all in synthetic fibres, stinky) and found my friends. I alternated between dancing and hanging with the boys after that. Acgtually, I also managed to combined the two, making Blair slowdance with me to OMD’s “If You Leave” as a tribute to John Hughes.  Blair and Smoo had some guy with them who managed to believe that Karen and I were identical twins – after I sadi that I’d eaten all the pies. He did some clever detective work, asking me what my birthdate was, and then asking her, and strangely enough, she said the same date. Karen was in very fine form that night, saying that there had been quite a few young boys hitting on her that night, including the duck – “but then again, I am moving/have a pulse. Not that I think he’s that fussy.”. Blair and Smoo didn’t seem to accept “Not married!” as a justification for anything, and if you add that to the fact that Smoo has a cricket bat in his room for chasing intruders then you’ll understand why i left a note on his door when I got home telling him that I fricking adore him. And now it’s 4am, and kebabs have been eaten, so let’s finish this journal and maybe have sleeps, yes?

I have made a really important decision and decided that my favourite close-to-work source of coffee is Gravel. It’s quick, the Revive beans are tasty and the barrista is lovely and chatty. Today he said that he hoped my coffee would make my day better as I explained it had got off to a terrible start what with getting to the bus stop (late, and sore of tummy) and discovering that I had left my wallet at home so having to go back and consequently being insanely late to work. Assuming I had an actual start time instead of a 7am-7pm guideline. The one problem with Gravel though is that they normally sell out of muffins very quickly, and besides they’re stodgy muffins. The scones at Kiranyi are the bestest, but girls cannot live on scones (and coffee) alone.

Yes, I’m all about the big issues today. I had lunch with my ex cow Frances, and we talked about stoogling, which is my HOT NEW BUZZWORD and I made it up and it means stalking via google. Of course. Yesterday I had dinner at Arashi with Karen and Anji and we talked about ummm I can’t remember what. Afterwards I thought about going to Frindigo but found my couch and my new Xmas lights were more appealing, although I did consider going so I could blank people, because what’s the point in being mad at people if they don’t know about it? Instead I am going to the Matterho tonight for birthday drinks for Kart, and tomorrow I am actually going to go to my Ministry’s Xmas party, despite the fact that I probably will know few people. I suppose this is one way to get to know people. But before that we have our team lunch at Logan Brown, and then on Friday our Comms planning day with lunch at Dojo, and on Saturday our agency’s Xmas party at the bowling club. Hurrah!

Speaking of work, I recently discovered that a guy I’ve been going “I’m sure I know him from somewhere” actually comes from NZM, which makes me happy because I thought I knew him via Skank, and I didn’t want to have to ask him if that was how. Turns out he asked me instead. Yesterday I spent the whole day having Orientation (they do two Orientations a year for everyone new in the past six months), which started off with a lovely Powhiri and now I know the English translation of Tu Teramai Nga Iwi, although we sang it in te reo. It was kind of funny because someone went to teach it to us, and all the macronised letters were missing, but we figured out what it was and everyone around my age knew it already from primary school. I’m still a little flustered by the hongi though, because everyone does it differently – some with foreheads and some without, and some with a cheek kiss and some without, and oh, just the confusion. We should have an official hongi style guide. And I love that this paragraph will make not much sense to people from outside of NZ, but if you’re curious, please email me and ask.

Tonight, I had sex with Shayne Carter. Before you call the Sunday Truth (or actually, probably the Sunday Star Times is more tabloidy these days) though, you should know that I wasn’t the only one. There were probably about three hundred other people who did it too. None of them had as good an orgasm face as him though. And for such a rockstar, he’s not a selfish lover. He totally gave me aural pleasure.

I think if you’d been at San Frindigo tonight, you would understand why I am all about the comparing this gig to sex (you know, aside from intense sexual frustration, of course). It’s not a new thing for me to review gigs like sex – I started doing it with Shihad, but tonight Shayne’s face said “my guitar is a penis, and it is an awesome thing”, and it truly truly was.

Dimmer opened with ‘Crystalator’ (or as others have refered to it, the “reeeeeeeeeeeeh reeeeeeeeh reeeeeeeh song”), and has it really been TEN YEARS since I got that on the Pop Eyed Flying Nun compilation for Xmas? Holy crap! It was loud, so loud that I could have believed that the speakers had come to life and crawled in my ears. After a couple of songs from There My Dear on which the absense of Bic and Anika and Annna doing backing vocals demonstrated even more how Straitjacket Fitsy that album is, they played ‘Drop you off’. Live, it was perhaps a little less menacing than the video – trees out the back of a car window at night time, like lying in the back seat as a kid, normally makes it, but it was more pounding, and thrusting, and pushed and pushed and pushed at you, and my breathing sped up to go along with it, and the very strong coffee I’d made before I left the house and the nurofen plus worked together in harmony, and it was all washing all over my body. ‘Seed’ afterwards was even more thrusty, and it went on and on, and even in the bourbon-washed summer of 01/02 that I believe you are a star was on high rotate in my computer and I was actually literally fucking, I was never fucked as intensely as that song brought it tonight. Well, maybe a couple of times.

The only time that Shayne took off his ‘O’ face was when they played “You’re only leaving hurt”, the first chords of which made me well up, naturally. For that, he was cradling his guitar like it was the last dance with a lover, instead of the pornstar stance of other songs (and I mean that in the best possible way, of course). He said at the end “That’s a sad song”, and then said “this is another sad song” as an introduction to ‘Scrapbook’. I recently managed to find Siamese Dream on vinyl ($50 secondhand, mind you!), and so I’ve been listening to that quite a lot, so I can say with good authority that ‘Scrapbook’ reminds me (see, I told you I had authority) of ‘silverfuck’ – most especially the pounding pounding pounding drums, but ‘Scrapbook’ manages to be a thousand times more bitter and powerful , the whole “bang bang, you’re dead” line aside.

The last gig I saw at San Frindigo was of course the Phoenix Foundation, so I enjoyed the contrast between the highly personable stage banter between Sam & Luke, and stony silence and the eyes of daggers it seemed like James was getting as he tuned his guitar. A couple of songs in, it seemed like someone flicked the “make smalltalk with the audience now” switch though, and even the way too fucking predictable wanker yelling “Play ‘She speeds’!” and the so very stoic “Ta” after applause didn’t detract from the overwhelming intensity of the gig. During ‘Scrapbook’ I even wished that it was Shihad on stage, because I so so wanted to throw some goats, and they’re the only band I’ve seen that you can get away with non-ironic goats at.

The last track of the two-song encore had huge rolling cymbals that were waves of sound, and the feedback was totally consuming, just flooding into every last inch of me. I’m sounding like some druggie loser right now, I know, but I’m not. On drugs. Except for the aforementioned caffeine and codeine, of course. I’m just all woah still. My head is buzzing, and there are oceans of feedback still playing in my ears, and every inch of me is sore from the dancing, and from the bass that rose up from the floor, but I don’t care. I came in my pants like a thousand times tonight.

And awesomely, I just got a text from my friend going “Do you feel like Shayne is making love to you with the music?” Hahaha! Yes, yes I do! And holy fucking shit, I hope it was as good for him as it was for me.